Carl Köhler was an artist with an intense relationship to classical music, and it was a constant presence in his life. The exhibit, “Images of Dance and Sound” features images embodying music, dance and literature, which where the sources of inspiration, feeling, power and movement in his paintings.
It was the body, possibly more then people themselves that Carl Köhler was particularly devoted to and which spawned the most creativity in his later works. With a modernistic tradition as his starting-point, Köhler reduced and abstracted bodily forms, thereby bringing them to a new level. His masterful technique and expression are equally extraordinary in his paintings as in his assemblage works, in which he stapled pieces of cloth or glued other materials to various types of surfaces. Often succeeded a determinedly vital, tactile outer structure.
He experimented gladly with different expressions and engineers. He got inspired to his motives by theater, musical, dance and literature. Detailed portraits of authors occupy an unique position in his production. In the exhibition portraits performed in oil, acrylic, drawings and graphic, of both Swedish and international authors.
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The Irish Cultural Centre (ICC) in Hammersmith, London has just announced the acquisition of three significant pieces of art, portraits of Samuel Beckett, James Joyce and Brendan Behan. Unusually for the centre, which has been exhibiting the work of Irish artists since its foundation in 1995, these portraits are by the Swedish artist Carl Köhler.